Qipao Has The Symbolic Meaning Of Chinese Women's Dress Culture.

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< p > < strong > development < /strong > < /p >

< p > < strong > cheongsam outline < /strong > < /p >

< p > > a href= "http://admin.sjfzxm.com/admin/admin.htm" > Qipao < /a > is a fashion in the first half of the twentieth Century, which is designed by the Republic of China, a target=, _blank, href=, //www.sjfzxm.com/, dress less than /a, and the design is based on the Manchu traditional female flag and Western culture.

In the eyes of some Westerners, cheongsam symbolizes the culture of Chinese women's clothing.

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< p > < strong > Qing Dynasty flag > /strong > /p >

< p > in a strong feudal ethical atmosphere, it is impossible to expect women to be exposed to modern general exposure curves.

In the Qing Dynasty, the straight line of the flag was straight, and the chest, shoulders, waist and buttocks were perfectly straight, so that the curves of the female body were not exposed.

Although the cheongsam is changed to the flag of Manchu women, cheongsam is not a flag.

Cheongsam is characterized by Chinese characteristics, western style aesthetics, and Western style tailoring < a href= "http://admin.sjfzxm.com/admin/admin.htm" > fashionable dress < /a >.

The flag is the national costume of Manchu nationality.

Most of the flattens are made of straight lines, loose body, split ends, close waist to waist size, and a large number of roll decorations on the cuffs.

Yellow is the color of Royale, and the public is against it.

The colors of the flag are brightly coloured and complex, and the colors and colors are various.

There are several bright lace or coloured teeth roll designs on necklines, cuffs and tucks.

Because the flag is a kind of plane dress, the disc roll becomes the only design space of the flag besides the fabric, so it is more beautiful.

In the late Qing Dynasty, "Eighteen inlays" (i.e. eighteen lace) were used.

In the Qing Dynasty, most of the patterns in the Qing Dynasty were mainly sketching techniques, such as dragon and lion, Fukulu Zuki, Phoenix, cranes, plum, bamboo, chrysanthemum and flowers, as well as eight treasures, eight immortals, and so on.

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< p > < strong > Republic of China Qipao < /strong > /p >

After P came into the modern era in 1840, western culture leaked over the Chinese culture. Many coastal cities, especially the metropolis such as Shanghai, were attracted by Western and Chinese culture.

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The cheongsam, popular in 20s twentieth Century, was born out of the Qing Dynasty Manchu women, < a target= "_blank" href= "//www.sjfzxm.com/" > clothing < /a >, which was stereotyped by the continuous improvement of the Western women's clothing styles in the dress of the Republic of China.

At that time, there was no professional clothing research center. The changes in clothing styles were constantly changing under the influence of the fashion of the ages.

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< p > from 1920s to the end of 40s, Chinese cheongsam has been popular for more than 20 years, and the styles have undergone several changes, such as the height of the collar, the length of the sleeves and the height of the slit, which made the cheongsam completely rid of the old fashions, changing the old appearance of the Chinese women's arms and arms in a long time, showing women's posture and curvilinear beauty, which is suitable for the prevailing fashion and has made a great contribution to women's liberation.

The cheongsam cheongsam was most popular among the female students at that time. It followed suit all over the country, almost becoming the typical dress of the new Chinese women in the late 20s.

It is worth mentioning that at that time, the fashionable girls, celebrities, movie stars and so on, who led the fashion trend, also promoted the development of cheongsam style. Among them, Tang Ying and others were the earliest fashion companies in Shanghai.

Since 30s, cheongsam has become almost the standard garment of Chinese women.

Cheongsam has even become a dress for social occasions and diplomatic activities.

Later, cheongsam went abroad to imitate the dress of other women.

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< p > 30s and 40s are the golden age of cheongsam, and also the most glorious period of modern China's < a href= "//www.sjfzxm.com/news/index_f.asp" > women's wear > /a >.

The cheongsam style is very long at this time, which is consistent with the fashionable dress of women in Europe at this time.

At this time, Qipao has completely jumped out of the banner of the banner of the female robe. It is a new "a href=" //www.sjfzxm.com/news/index_f.asp "/a".

First of all, there is a saying of "clique".

Local cheongsam is westernized, and Western-style handles are used outside the collar and sleeves, such as lotus leaf collar, western style lapel, lotus leaf sleeve, etc.

Although the application of these reforms is not extensive, it indicates the freedom of thought at that time, and the original program of Qipao is no longer necessary.

The match between cheongsam and Western style coat is also a characteristic of the "clique", which makes the cheongsam enter the international clothing family, and can combine with many modern clothes to show that it has "internationalized and modernized".

The cheongsam in 20s is still wide and straight; the cheongsam's hem is bigger than that of Qin's popular sleeves, and the whole robe is also "upside down".

But shoulders, breasts and even the waist have been fitted.

Eileen Chang said: "the cheongsam of Chu Xing is cold and upright, with the Puritan wind."

The "Xing Xing", a woman writer who is good at observing and describing fashion, if it means 20s, the "cold cold founder" must be the impression of her childhood.

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